British Society for Literature and Science Conference 2013
Cardiff University and the University of Glamorgan
The British Society for Literature and Science invites proposals for papers and panels to be delivered at its eighth annual conference to be held in Cardiff, 11-13 April 2013.
The BSLS Conference does not have a theme (as it its usual practise) but especially welcomes proposals on the state of the field of literature and science as well as its relation to other fields. This year we would be particularly interested to receive proposals that reflect upon the interdisciplinary study of literature and science in the context of the debate about the present position of the humanities in academia. However, the Society remains committed to supporting proposals on all aspects of literature and science across all periods.
Proposals for papers of 15-20 minutes should be sent in the body of the email text (no attachments, please), to firstname.lastname@example.org with the subject line ‘BSLS 2013 abstract’. Submissions should include the title of the paper, an abstract of no more than 300 words, a maximum of 3 keywords (placed at the end of the abstract), and the name and contact details of the speaker. The closing date for submissions is7 December 2012.
Contributors interested in organising a panel or other special session, or who have suggestions for alternative forms of conference presentation, are warmly encouraged to contact the conference organisers. The organisers would welcome, for example, workshops on teaching literature and science, or on specific themes in literature and science that cross period boundaries, or on specific published works with considerable influence in the field. Please email the organisers on email@example.com, using ‘BSLS 2013 Panel’ as the subject line in email correspondence.
A bursary of £150 will be awarded to a graduate student on the basis on the paper proposals. The student must be registered for a masters or doctoral degree on 9 January 2013. The conference fee will be waived for two further graduate students in exchange for written reports on the conference, to be published in the subsequent issue of the BSLS Newsletter. If you are interested in being selected for one of these places, please mention this when sending in your proposal.
Further information can be found here.
Mary Russell Mitford: Local and Global
British Women Writers' Conference 4-6 April 2013, University of New Mexico
Mary Russell Mitford: Local and Global
Papers are welcome on any aspect of Mary Russell Mitford’s long and prolific literary career spanning the 1810s to the 1840s, and including her poetry, drama, and prose fiction. The influential Mitford, her friendships, her popularity in England and America, her wide reading, her correspondence, her unwanted but real rivalry with Lord Byron, her politics, her successful negotiations with editors and theatre managers, her approach to the local and the global and to gender and genre all invite attention to expand our view of this professional woman of letters and of the transitional decades of the 1820s and 30s in nineteenth century literature. One goal of this panel is to bring scholars together interested in a collaborative effort to plan a digital scholarly edition of Mitford's complete works and letters.
Send 250-word paper proposals by 12 December 2012 (EST) to Elisa Beshero-Bondar.
Robert Southey and Romanticism: The Lake School in Context
Keswick 29-31 July 2013
In 1813 Robert Southey accepted the Poet Laureateship—an act that, in the following years and in critical history, came to symbolise the divide between the ‘Lake poets’ Wordsworth, Southey, Coleridge — once radical, now ‘reactionary’ —, and their disappointed admirers Shelley, Byron, Keats and Hazlitt. Two hundred years later, close by Greta Hall—Southey’s and Coleridge’s home—we shall explore Southey’s work and that of his allies, followers and enemies.
Papers on any aspect of Romanticism, Southey and the Lake School are welcome: topics might include: the politics of literary culture; the Romantics as reviewers and reviewed; prosody in Romantic poetry; Romantic biography; labouring-class writing; women writers in relation to the Lake School; Romantic locations; travel writing; colonialism and empire; genre; Romantic historicism; Romanticism and religion; Romantic science; Romantic networks and networking. We also welcome papers on individual writers.
Timed to run just before the Wordsworth conference in Grasmere, ‘Robert Southey and Romanticism’ will feature a visit to Greta Hall, Southey’s and Coleridge’s home (not usually open to visitors). The venue will be the Keswick school conference centre—right next to the churchyard where Southey is buried. There, we shall hold a wine reception to celebrate the publication of the new Collected Editions of Southey’s Poems and Letters. Keswick itself has many fine pubs and restaurants, some of which we shall visit. It also has an abundance of bed and breakfast accommodation at reasonable prices within walking distance of the venue.
The conference fee will be £150 (waged) and £120 (student/ independent scholar)
Conference organisers: Dr Carol Bolton (Loughborough); Professor Tim Fulford (De Montfort); Dr Ian Packer (Lincoln); and Professor Lynda Pratt (Nottingham).
The conference is organised in association with the Centre for Regional Literature and Culture, University of Nottingham; De Montfort English; the University of Lincoln; Loughborough University; and the Midlands Romantic Seminar.
Please send abstracts (200 words max.) to Tim Fulford by 1 January 2013 (stipulate if an early decision is needed for funding application purposes).
Resurrecting the Book: The Library of Birmingham, 15-17 November 2013
To celebrate the re-opening of the largest public library in Europe and its outstanding special collections,The Library of Birmingham, Newman University College, the Typographic Hub at Birmingham City University and The Library of Lost Books have united to host a three-day conference on the theme of Resurrecting the Book.
With e-book downloads outstripping the purchase of hard copies, with libraries closing and discarding books and with the value of the book as physical object being increasingly questioned, this interdisciplinary conference will bring together academics, librarians, publishers, artists, creators, designers, and users of books to explore a wide variety of issues pertaining to the creation, design, construction, publication, use, reuse, preservation, loss, and recovery of the material book, electronic and digitized books, and of collections and libraries.
Abstracts on the conference themes and their intersection and covering any historical period are invited. The conference themes include, but are not limited to:
BOOKS AS MATERIAL OBJECTS: the materiality of book creation, construction, production, use, reuse, and destruction; manuscripts and printed books; book-design, illustration, paratextuality and its manifestations; book-covers, bindings, clasps, vellum, parchment, paper, manuscript and printing and production processes;
COLLECTIONS AND LIBRARIES: book collectors, collections and their locations; missing, lost and found books; the creation, recreation, dispersal, sale and destruction of books and libraries; the movement of books and libraries; lost libraries; the impact of libraries on books; lost and revised editions;
THE ARTIST'S BOOK: altered books; book preservation and conserved books; books and material culture; books as art; books in art; illustration and illumination; woodcuts; engravings; marbled pages; book decoration; printmaking;
E-BOOKS: the creation, use and abuse of ebooks; neglected and lost ebooks; ebook readers; electronic libraries; books and collections and the impact of digital technologies;
PUBLISHING: publishers and publishing; the future of publishing; back-catalogues; print-runs; editions; archives; digitization and multi-media books.
Abstracts of no more than 400 words accompanied by a 50 word biographical profile should be sent to both Dr Matthew Day and Dr Caroline Archer. The deadline for submission of abstracts is Friday 1st February 2013.
The conference will run in conjunction with The Library of Lost Books Project. This is an exhibition of 50 de-accessioned books which have been given a new lease of life as objects redesigned into works of art. The conference is also part of the Library of Birmingham's reopening festival. Event partners are: The Library of Birmingham, Newman University College, The Typographic Hub, Birmingham City University, Digital Ink Drop, and The Library of Lost Books. More information about the conference can be found here.